Amid a maze of car-repair shops in Haiti’s gritty capital, Andre Eugene pitches a shredded tire he found atop a towering sculpture he built out of rusty engine parts, bed springs and other cast-off junk. “This is what I do; I work with the garbage of the world,” says Eugene, assessing the largest sculpture displayed at the entrance of his studio and open-air museum off a crumbling street cutting through some of Port-au-Prince’s poorest neighborhoods.

The Haitian sculptor is a founding member of Atis Rezistans, a shifting collective of artists who recycle whatever useful scraps they can find to give a raw, physical shape to the spiritual world of Voodoo, or Vodou as the religion is known by Haitians, and weigh in on the country’s chronic political and economic troubles.

Although Haiti’s established galleries were slow to warm to the scrap sculptors of the capital’s impoverished Grand Rue neighborhood, bustling with furniture-makers and other craftsmen, the artisans working with recycled materials have been embraced by a number of international art connoisseurs and academics.

During the last decade, the work of Atis Rezistans has been exhibited in cities such as London, Los Angeles and Paris. Sculptures are included in the permanent collections of museums, including the Frost Art Museum in Miami.

Haitian art has long had a reputation for imaginative richness, and wealthy international collectors including Jacqueline Kennedy Onassis and filmmaker Jonathan Demme sought out self-taught painters that colorfully evoke the everyday lives of Haitians or depict dreamlike scenes. And even though found-object creations have been part of the poor country’s art for decades, experts say there has been nothing like the in-your-face works of Atis Rezistans.

“Atis Rezistans takes an old practice in new directions, expanding the range of materials used and offering stunning new meanings for objects found in everyday life,” said Marcus Rediker, a collector of Haitian art and a distinguished professor of Atlantic history at the University of Pittsburgh.

To read the full story, visit http://www.dispatch.com/content/stories/life_and_entertainment/2016/07/09/1-haitis-garbage-has-found-its-way-into-museums-all-over-the-world.html.

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